Jazz Guitar Rhythm
“The subject of rhythmic motivic development is often neglected in most jazz education courses. This book goes a long way towards remedying that. The material is laid out in a lucid, articulate and thorough manner, and should give the student the tools he or she needs to progress in this important area.” – Ben Monder
eBook (printable pdf) 84 pages | audio, tabs, notation |
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There are three main elements of music: Harmony, Melody and Rhythm. These three items form the foundation of modern music, which has some combination of time/pulse, harmonic content such as chords/chord progressions and/or melody.
Now, think to yourself, what order do you place these items when you are in the practice room? When I ask this question in workshops, no matter what country I’m in, the answer is always the same. Harmony, Melody, and then Rhythm. But, is this the best way to organize your practice time and place focus on the bandstand?
After teaching jazz and other improvised music for almost 20 years, I have realized that many of the students I work with struggle with time and rhythm. Even though they understand and can apply all of the harmonic and melodic material in the correct way, their rhythmic control, interest and application is not up to par with their lines, chords and phrases.
For this reason, I have always put a strong focus on rhythmic material with my students, as well as in my own practice room as I have continued to develop as a player. And after teaching this material privately for many years, I have brought these lessons and exercises together into one book for the first time, “Modern Time: Rhythmic Fundamentals for the Improvising Musician.”
The book’s focus is to help you develop a solid understanding of how rhythms and rhythmic groupings work; how they can be manipulated and expanded as well as how to apply all of this knowledge to your own playing. Each concept is presented in an easy to understand fashion, and is accompanied by multiple exercises that focus on developing your control of rhythmic material from both a technical and improvisational standpoint.
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When Buying Modern Time You Get
- Printable PDF Format
- 84 Pages of Lessons, Exercises and Musical Examples
- Over 100 Musical Examples in Notation an Tablature
- Over 100 Audio Examples (Mp4 format that will play in iTunes, Windows Media Player and Quicktime)
- Enough learning material to keep you busy in the practice room for months, if not years, on end
- All For Less Than the Cost of 1 Private Lesson!
Improve Your Jazz Guitar Rhythm Today
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Buy the “Modern Time” Ebook for the Low Price of $14.99!
If you’re looking to bring your jazz guitar rhythm playing to the next level and are searching for new inspiration in the practice room, check out “Modern Time: Rhythmic Fundamentals for the Improvising Musician.”
For less than the price of one private lesson you get a lifetime’s worth of practice material to explore in the woodshed.
Modern Time Lesson Topics Include
- Rhythmic Pairing
- Rhythmic Retrograde
- Rhythmic Mirroring
- Rhythmic Transposition
- Eighth-Note Accents
- Charleston Accents
- Brazilian Accents
- Afro-Cuban Accents
- 5 Exercises for Rhythmic Development With Repertoire
- Whole Notes
- Half Notes
- Eighth Notes
- Eighth-Note, Quarter-Note and Half-Note Triplets
- Sixteenth Notes
- Dotted Quarter-Notes in 4/4 and 3/4 Time
- Bossa Nova and Reverse Bossa Nova
- Samba and Reverse Samba
- Son 2/3 and 3/2 Claves
- Rumba 2/3 and 3/2 Claves
- 6/8 Clave
- 2/3 and 3/2 Montuno
What People Are Saying About Modern Time
“This is a terrific book by one of the best teachers I know of, on one of the most important and often overlooked elements of jazz improvisation – rhythm! Matt takes you on a well organized, progressive and creative journey right from the most fundamental rhythmic concepts through advanced rhythms and concepts that are the heart of improvised music today. An absolutely essential book to check out.” – Canadian Guitar Virtuoso Roddy Ellias
“Matt Warnock’s handsome new book presents the basic elements of rhythm, then offers systematic approaches to developing and manipulating rhythmic motives, accents, and groupings. He also touches upon underlying rhythmic grooves for a variety of latin rhythms. The book is systematic, logical, and developmental – allowing one to apply progressively more sophisticated concepts.
Matt starts with the premise that there are three main elements of music: Harmony, Melody, and Rhythm. Anybody with a heartbeat has a concept of rhythm, many people have a concept of melody and can sing or hum common tunes, but usually only trained musicians understand harmony. This fact suggested to Matt that we change the way we think about the three elements and how we organize them into our practice routines: focusing first on Rhythm, then Melody and Harmony.
Sharpening the focus on Rhythm promotes a stronger role for rhythmic development, and simultaneously allows one to place the element that reaches most people at the forefront of one’s playing. I enjoy the clarity with which Matt organizes small chunks of musical ideas into non-intimidating and attainable practice routines.” – John Stein (Associate Professor of Harmony Berklee College of Music)
“Wow, …another valuable tome of information. I always keep an eye on Matthew Warnock’s constant quality output. You learn quickly because there’s just the right amount of information in each lesson which is easily retained in a short amount of time.” – Jack Grassel (Guitar One Magazine readers voted Jack one of the 10 best guitarists in America.)
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